Our exhibits are designed to entertain the history buff, natural scientist, artist, and lover of all things Cannon Beach. We have two rotating exhibits (one a quilt/fabric arts showcase), and several permanent features of the museum.
Of Two Minds: A Collaborative Exploration Between Tim Liddiard and Kristin Shauck
Stop by the Cannon Beach History Center and Museum to see the latest art exhibit featuring the work of Tim Liddiard and Kristin Shauck. Of Two Minds explores a collaborative effort of abstract and figurative pieces.
Tim Liddiard was born in Chihuahua, Mexico and moved to the United States when he was 15 years old. He lived and studied in Texas and Utah before relocating to the Northwest. He holds a Bachelor of Arts in Mathematics from Portland State University in Oregon, and has been taking art classes and practicing art for fifteen years. His artmaking approach is process based and is strongly influenced by his broad work experience, including garment dyeing, working in construction, teaching, and truck driving. He has exhibited his artwork regionally in the state of Oregon.
Kristin Shauck hold a Bachelor of Fine Arts degree in painting and drawing (magna cum laude) from Baylor University in Waco, Texas (1989) and a Masters of Fine Arts degree in painting and drawing from Texas A&M Commerce (1993). Having taught at the college level in both Texas and South Dakota for over a decade prior to relocating to the Northwest, she is currently in her thirteenth academic year teaching painting, drawing, and design at Clatsop Community College in Astoria, where she also serves as founding director of Aue Naturel: the Nude in the 21st Century, an annual international competition of figurative art. She has exhibited her own artwork in various regional and national exhibitions as well as internationally in England, Japan, and India.
This exhibit is an exploration of both artists varied pasts and experiences. Each piece is an inspiration of color. Liddiard says, "Inspired by color field paintings as a springboard for my explorations, I am interested in experimenting with how colors interact, starting with simpler color combinations and progressing to more complex." The show integrates Shauck's own philosophy and love of nature as well. Shauck says, "Since my childhood, I have always felt a deep connection to and fascination with animals of all kinds, from the tiniest insect to the largest mammals, and have always experienced a profound sense of both awe and joy while in their presence. I seek to capture the essense of both humans and animals by beginning each painting with a very spontaneous, gestural approach, drawing initally with either chalk or directly with a brush, and progressing with many obsessive layers of vibrant color."
The exhibit is on display now through February of 2017.
Current Temporary Exhibit:
From the Vault
One of the photos featured in the exhibit shows Main Street with snow in Cannon Beach, January 1943.
The Cannon Beach History Center and Museum is home to thousands of artifacts, each with their own unique history. From the Vault showcases nearly twenty different objects and photographs from the depths of the Museum’s archives. These artifacts have been explicitly chosen for their uniqueness and pertinence to the history of Cannon Beach. Visitors will discover the stories behind these unseen treasures. One of the iconic artifacts featured is the saddle used by Mary Gerritse while riding her horse Prince to deliver the mail along the coastline. The saddle is accompanied by entries from her journal sharing her harrowing story of nearly falling from a cliff side, to coming face to face with both a mountain lion and a bear, at different times. Gerritse took over the mail route when her husband was unable. She acted as the area’s mail carrier from 1897 until 1902.
The exhibit will also feature an artifact with a slightly more macabre origin, the head of Cannon Beach’s own headless horseman. In 1964, the community of Cannon Beach was inundated with a tsunami. The tsunami was caused by a Megathrust quake with an epicenter at the head of glacier-ringed College Fiord, 75 miles from the town of Chenega. It also severely damaged Cannon Beach’s flow of summer tourists. The following year in 1965, locals Betty Dueber and Bill Steidel, along with other merchants, devised a plan to create some positive publicity for Cannon Beach. The Swigert family loaned a solid black horse each weekend and promptly at noon the bells in the Presbyterian Church would ring, and the headless horseman would enter the downtown area and gallop down the main street. The horseman, whose identity was never publicly disclosed, would gallop down the street with the human head covered with a blanket, and with all the children chasing the horse trying to determine who the actual rider was.
The exhibit also features recently donated images taken by Frank Woodfield and the Warren Family of the Warren Hotel. These images have never-been-seen by the public and share not only the tale of the old hotel, but show the humor of the photographers and the Warren family.
Discover tidbits of Cannon Beach history that you won’t find anywhere else!
*This exhibit will be on display through December 2016.
Native American Longhouse
The Native American Longhouse is a hands-on exhibit for visitors of all ages. Children are invited to touch the cedar-bark cape, bowls, and skins furnishing the exhibit, and to use the space to pretend with our toys. The exhibit was designed in cooperation with the Clatsop-Nehalem Confederated Tribes, and the longhouse is furnished with replica artifacts crafted by Native American artisans around the Northwest.
Native American villages of the Northwest Coast consisted of several of these longhouses, which were built in clearings between forest and tidewater. Each longhouse served as a home, workshop, and ceremonial space and housed an entire extended family, with 20 or more people sometimes living in a single home.
The Cannon Beach History Center & Museum's longhouse exhibit shows a small-scale longhouse’s interior, typical of a small home or a seasonal fishing hut. Today, Natives living on the Oregon Coast live in European style homes, but often still use longhouses for festivals and celebrations of their traditional ways.
Permanent Interpretive Exhibit
The permanent exhibit, Cannon Beach: A Place by the Sea was based on the book of the same name authored by Terence O’Donnell. The exhibit is rich in visual material, telling the story about what attracted people to Cannon Beach throughout time. Drawing from the archives of CBHS, photos reveal the town’s past and the arduous journey it was to get here.
The story of the Tillamook Indians, Lewis and Clark, Tillamook Rock Lighthouse, historic hotels and buildings, recreation, the Great Depression, World War II, and Cannon Beach today are all told through this interactive exhibit, which is also translated in Spanish.
The interactive childrens exhibit features tide pool life, and children will love learning more about sea stars, coastal forests, and bird life on the Coast!
All in all, the view from Tillamook Head, the rising sentinels of Haystack Rock and the Needles, and the seven miles of “singing sands” and sparkling surf are like magnets drawing people back year after year to Cannon Beach, a special "place by the sea.”
Spanish Audio Translation of Permanent Exhibit
Visitors to the museum can hear the text of the permanent exhibit read in Spanish, on hear-sets located at each major display panel around the museum. Financial support for the Cannon Beach History Center’s Audio Spanish Translation Project was provided by the Bloomfield Family Foundation, Oregon Council for the Humanities, and the City of Cannon Beach. Several Cannon Beach volunteers also contributed translation, recording, and installation services.
The Cannon Beach History Center and Museum is home to the original Cannon Beach cannon. This artifact has always been a subject of interest. Also learn more about recent findings of two more cannons on an Arch Cape beach.
The Cannon Beach History Center & Museum is a non-profit, 501 C-3 tax-exempt corporation (I.D. #94-3140644).